» PATRICE LECONTE, Film director Mísia's hair trim, her fringe, is rather graphical. She also has gestures. Postures. Blacks and whites. Angles and curves. Fine and thick tines. This is why more than singing the Fado she actually designs the Fado.
» ANTHONY MINGHELLA, Film director Mísia is the angel of regret.
» GILBERT & GEORGE, Plastic artists She is really a very special woman! Her fados are the most emotional music we have listened without even understanding a single word. She dares to listen to her body and creates beauty from the most extreme situations. She is an authentic artist.
» WILLIAM CHRISTIE, Conductor Mísia is one of my favourite singer.
» UTE LEMPER, Singer When Mísia sings we are transported to an universe of theatrical passion and emotional deepness.
» BILL T. JONES, Dancer & choreographer Mísia is one of the most avant-garde and charismatic fado singers of our time.
» EDUARDO PRADO COELHO, Essayist Only those capable of hearing the voice emerging from the throats worn by flame, only those capable of following the nocturnal pace of an unusually intelligent enunciation - in recognizing the verbal textures and the consumed emotions that gather within - may come to understand that sharpest pain hardly ever derives from open wounds. Mísia relates to Fado in a way that reaches the 'mystical' - and it is almost scaring.
MÍSIA'S COLLABORATIONS
Isabelle Huppert, Actress
Patrice Leconte, Film Director
Sophie Calle, Photographer
Fanny Ardant, Actress
Maria de Medeiros, Actress
Agnès Jaoui, Actress
Ute Lemper, Singer
Gilbert & George, Plastic Artists
Bela Silva, Painter & Ceramist
Maria João Pires, Pianist
Bill T. Jones, Dancer & Choreographer
Maria Bethânia, Singer
Carmen Maura, Actress
Miranda Richardson, Actress
Angélique Ionatos, Singer
Sérgio Godinho, Poet & Compositor
Amélia Muge, Poet & Compositor
Adriana Calcanhoto, Singer
Júlio Pomar, Painter
Arman, Painter
Manuel Paulo, Musician & Productor
Jorge Palma, Compositor & Author
Vitorino, Productor & Compositor
Ricardo Dias, Musician & Productor
Padma Subramanian, Dancer
VENUES PRESENTING FADO FOR THE FIRST TIME WITH MISIA'S CONCERTS
Philarmonie Berlin, Germany
Alter Oper Frankfurt, Germany
Musikhalle Hamburg, Germany
Festival de Jazz de Montreux Montreux, Switzerland
Grande Cour d'Honneur du Palais des Papes Festival of Avignon, France
Teatro Nacional Maria Guerrero Madrid, Spain
Palácio de Congressos Madrid, Spain
Festival El Grec Barcelona, Spain
Grande Auditório da Culturgest Lisbon, Portugal
Festival de Capuchos Portugal
Théâtre des Champs Elysées Paris, France
Maison des Cultures du Monde Paris, France
Théâtre du Châtelet Paris, France
Womad Festival Adelaide, Australia
Midem Cannes, France
Konzerhaus Vienna, Austria
Amphithéâtre Herodium Atticus Acropole, Athens, Greece
Berkeley Performance Boston, USA
Cleveland Museum of Art Cleveland, USA
Helsinki Finland
Listner Audiotorium Washington, USA
Ravinia Jazz Festival Chicago, USA
Dranouter Festival Dranouter, Belgium
Teatro Gral. San Martín Buenos Aires, Argentina
Palais des Beaux Arts Brussels, Belgium
Flagey Brussels, Belgium
Le Carré Amsterdam, Netherlands
AWARDS & RELEASES
2009 » Release "Ruas"
2005 » Medal of the Order of Merit, Portugal » Release of Drama Box
2004 » Great Red Medal of the City of Paris » Order of Arts and Letters, France » Award of the German Record Critics » Prix au Festival International du Film » d'Art et Pédagogique - (Le Fado de Misia » by Carmen castillo)
2003 » Release "Canto"
2001 » Release "Ritual"
1999 » Release "Paixões Diagonais"
1998 » Silver Disc, Garras dos Sentidos, Portugal » Release "Garras dos Sentidos"
1997 » Signing Detour/Warner
1996 » Grand Prix of the Academie Charles Cros
CONCERT PROGRAMM
PRESS QUOTES
Mísia drawing tears in any language. » New York Times
Her vocal artistry is faithful to the tradition - delicately nuanced with power achieved through dramatic softening and hardenings of tune - but her instrumentation draws on a broader harmony of effects. » BBC Music Magazine
Many countries sing it - rembetika in Greece, morna in Capo Verde, the blues in the United States. But the essence of the Portuguese equivalent - fado (fate) is somehow even more elusive than other music that takes singular pleasures in expressing pain. Enter Misia. Selfnamed from one of Post-Impressionist painter Pierre Bonnard's favourite model, with performances stylized in a manner reminiscent of Japanese Noh theatre - Misia adds a new layer to the fado mystery. » The Globe and Mail