In Pura Vida (sound track)) Mísia sings Fado witch is not sad or joyful, as she likes to say. It's Destiny.
In this album the voice is surrounded by a surprising and new musical sonority.
After living for two years that - for the worst reasons - represented an essential learning process of
decisive importance, I am still the same albeit different.
In fact, everything has changed.
Especially my work, which is me - there are no borders.
Here is the soundtrack of that period in which there is heaven and hell, harshness and passion,
Fados of bitter longing, songs of heart and bone, black roses, absence, tears and rebirth.
The musics of Pura Vida (soundtrack) are pure music, pure musical notes completely free of rules
because I do not need anymore to belong to any genre or tribe after what I have experienced.
I cannot nor do I want to render this banal.
I do not think Fado is happy or sad, it is Life, Fate.
Only a music with this nobility allows us to use its most symbolic melodies the way painters use
primary colours to express everything their souls need to say.
That is why I say that this album includes fado musics but it is not an album of Fado.
Pura Vida (soundtrack) is full of gaps, rough edges and sometimes a little
"silk, velvet and wool".
The Portuguese guitar is Heaven and the electric guitar Hell.
The feeling of tragedy is conveyed in this work through the electric guitar.
It is not a question of being "pop or modern", on the contrary.
I dare to say that there is a cinematographic beauty in Fabrizio Romano's arrangements.
It is not an album to anaesthetise the public. It is an album that seeks the "other", an echo of that
fragility and inability that we have all felt.
The mystical Rumi said that the wound is the place through which light enters.
In this case you are being asked to hear the difference. The beauty, strength and humility that a
"calvario" can offer us . The anxiety of a possible path through the words of Miguel Torga, Tiago
Torres da Silva and Vasco Graça Moura, among others.
And finally, the wish to live and sing without being afraid to show your scars.
Mísia
February 2019
APRIL 11
Mini Concert at the Fado Museum at 7:00 p.m.
Guest artist Gaspar Varela
Sold-out concert
APRIL 12
PURA VIDA (soundtrack)
Show case Fnac Chiado Lisbon at 7:00 p.m.
Guest artist Gaspar Varela
MAY 22
Mísia will be the guest of
Conversations at the Museum with Nuno Pacheco
Museu do Fado
CO-PRODUCTION AND EDITION
Liberdades Poéticas and Museu do Fado
Conception and authorship of the Project: Mísia
Music Production: Mísia e Fabrizio Romano
Musical Direction: Fabrizio Romano
Arrangements: Fabrizio Romano
except
Rosa Negra no Meu Peito II – Paulo Gaspar
Lágrima – Raul Refree
Ouso Dizer – Luís Guerreiro e Fabrizio Romano
Recorded at the Atlantic Blue Studios in January 2019
Sound technician: André Tavares
Mixing and Mastering: António Pinheiro da Silva
MUSICIANS
Cláudio Romano – Electric Guitar (in themes 2, 6 and 10)
Fabrizio Romano – Piano (in themes 3, 4, 6, 7, 8, 9, 10, 11, 12, 13 and Track Bonus)
Filipe Felizardo – Electric Guitar (in themes 9, 12 and Bonus Track)
Luís Cunha – Violin (in themes 4, 6, 8, 9, 10, 11, 12, 13 and Bonus Track)
Luís Guerreiro – Portuguese Guitar (in themes 2, 3, 4, 6, 9, 11, 12 and Track Bonus)
Paulo Gaspar – Bass Clarinet (on tracks 1, 4, 6, 9, 10, 11, 13 and Track Bonus)
Pedro Santos – Accordeon (topics 8 and 13)
Walter Hidalgo – Bandoneon (themes 3, 8, 10 and 13)
GUESTS
Daniel Melingo - Voice (on theme 3)
Gaspar Varela - Portuguese Guitar (in theme 7)
Raul Refree – Electric Guitar (theme 5)
Ricardo Ribeiro - Voice (on item 10)
ALL RIGHTS RESERVED
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